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(DE-)CONSTRUCTING
THE COMIC BOOK
COLLECTOR'S MARKET
COLLECTING COMICS INSIDE (AND OUTSIDE)
A SPECULATOR'S MARKET
Welcome
to panelology.info. It's all about serious comic book
studies with all the fun still left intact. To kick off
this new website, I had originally planned to elaborate
on the term panelology and why exactly I feel it
covers the field of comic book studies so well, but as
happens so often, I changed my plans upon contact with
the enemy.
No,
with enemy, I don't mean any comicbook unfriendly
parental or educational organisation. Matter of fact,
they're not always entirely wrong. No, I'm thinking more
in terms of the global economic downturn and the guys who
started the whole mess, got saved by Super Paxtayer, and
are now seemingly back to their super duper money game as
if nothing had happened.
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No
connection to comic books, right? Wrong. If experts and
laymen alike are attributing the economic crisis to
speculation and greed as driving factors, then comic
books are a part of the game. The all-out search for
financial profits has long been a part of the
collectible's markets, including comics. And so, as Jerry
Bails was thinking foremost of the hobby of collecting
comics when he coined the term panelology in the 1960s, I
changed my plans and decided to kick off this website by
revisiting material which I had compiled in 2007 on how
the comic book market is, like many others, a constructed
environment, I was quite curious to see if and how the
financial crisis had affected the comic book. If I had
hoped to see a return to common sense, then I was utterly
disappointed as I updated my write-up.
So
roll up your favourite easy chair in front of your
monitor, sit back and read about old and new comic books,
why and how people collect them, how prices for comics
began to rise in the late 1960s, what the Overstreet
Price Guide and CGC have to do with this, how and why the
comic speculators bubble popped in the mid-1990s, and why
people are seriously hoping that Amazing Spider-Man
#583 (2009) will one day sell for a substantial profit,
almost as if it were Amazing Fantasy #15 (1962).
read all about it...
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